It was great to catch up with Pablo and the ActionScriptHero crew in Amsterdam, and we had a good chat about the future of Flash, the exciting changes in digital and what inspires me.
I’ve just finished my Brighton training courses which were seriously good fun, and everyone seemed to enjoy themselves, I’ve certainly got excellent feedback so far!
My next training course is short notice; it’ll be a Papervision course in San Francisco on the 9th March particularly aimed at 3D games. It’ll coincide with the Flash games summit so if you’re interested, let me know and I’ll make sure to get in touch with more information as I have it.
Then it’s on to Cologne for FFK in April, where I’m running both a Papervision3D course and a Flash games training course! More info on the FFK website.
And back to NYC for Flash and the City in May, and I’ll be running courses around the conference. Again, mail me if you’re interested and I’ll send you the details as they are announced.
And finally in FlashBelt in June, I’ll be teaching a one day Flash games workshop. Teaching you maths by stealth – who knew that you could learn trigonometry from Asteroids and vector maths from platform games? It’s a fantastic conference and I’m really looking forward to coming back for my fourth year in a row!
Can’t make any of these events? Then help me organise one near you! Mail me.
Back in my home town Brighton and my favourite venue the Lighthouse, I’m running another 2 day Papervision workshop on the 1st and 2nd February 2010.
As ever, I’ll be covering everything you need to know to get started with Papervision and then on to the cool stuff, games, skyboxes, augmented reality, interactivity and much, much more!
And looking at case studies, including BAFTA award winning* Big and Small!
There are limited early bird places at £249 and also 4 student places at £99, but please book early as space is very limited.
Of course, Ralph has left, and i’ll miss him. But smart people like him need constant new challenges and I have no doubt that he will move on to bigger and better things! And I seem to be seeing him just as much as before!
Papervision3D 3.0
So we’re moving on with PV3.0, which will be our Flash Player 10 optimised version, rebuilt from scratch. Tim’s already making great headway with some of the core code such as how we handle rotations (with quaternions at the heart of every DO3D) and even some niceness with frustum clipping.
Openness
I think we’ve been guilty in the past of a lack of transparency in our process. When we all work hard for a living, it can be hard to make sure that we keep the community updated with what’s going on.
So we’ve decided this time to make the source code for 3.0 available on githubas we’re working on it. If you have something to contribute, you can fork the code and have a go. If we like it, we’ll add it in!
New team members
Which brings us to the fact that we want new team members. If you do cool work with the code base we’ll most likely ask you to join us. Already we’ve enlisted Ben Hopkins who caught our attention with some crazy PixelBender experiments. Perhaps you could too?
Backwards compatibility
There are many things that need to be changed in the new version, so we’ve made a rule. That rule is that we’ll keep the API the same as PV2.0 unless there’s a very good reason to change it.
One of the more notable changes is that the axis system has changed, the z-axis now comes out of the screen rather than going into it. This is to bring PV3D in line with pretty much all the other serious 3D engines, and it should also make it easier to port code from OpenGL.
Papervision2.1 support
We realise there are some issues still to resolve in 2.1 and I for one, am going to continue using this branch for some time. So although there is a lot of energy and excitement around PV3, it doesn’t mean we’ve forgotten about the older code base.
I’m really really excited about these changes, and the renewed sense of energy that it brings. I believe the Papervision team members are among the best Flash programmers in the world, and it’s such a privilege to be a part of it.
Just in case you missed it, there’s a 3 page article in this month’s .net magazine all about how we made Big and Small.
I’m so pleased that we’re starting to get some recognition for this site : we’ve just earned our very first FWA Site of the day award, and we’re also a finalist in the Adobe MAX awards!
And we’ve just won another project for BBC, and we went to Pinewood studios yesterday to check out the set. This will also be an immersive Papervision3D project, but we’re not allowed to talk about it yet.
We’re thrilled to see that Big and Small made it to the finals of the .net awards this year, especially when you see the amazing other finalists that also made it. And also Papervision has made it into the Open Source category – brilliant!
And other friends are there too: Saqoosha for his amazing FLARToolkit, Jeremy Keith in the Standards Champion category, Big Spaceship for best agency, and Clearleft on two redesign of the year category awards.
I encourage you to vote for your favourites, especially if I had something to do with them
I’m very pleased to be running a Papervision workshop at Flash on the Beach this year! What better excuse to come to my home town and learn everything you need to know about getting up and running with Flash3D!?
You may have noticed that I’ve been a little quieter than usual over the past few months. And for that, I’m sorry. But there’s a very good reason for that! Me and the my very talented colleagues at Plug-in Media have been hugely busy working on the biggest and most ambitious Papervision3D project we’ve ever attempted; Big and Small.
Big and Small is a comedy TV show for kids (3 to 6) about a big character (called Big) and a small character (called Small) who, despite their differences, are the very best of friends.
There are so many details that I want to share, I’m not sure where to start! There’s the close collaboration with the BBC and Kindle (the TV show’s production company). And then there’s the studio sessions with Lenny Henry (famous UK comedian) who provided the voices, and the recording of Dom’s (Plug-in’s creative director) band for the music game. Not to mention all the incredible artists, coders and producers at Plug-in who all did an amazing job of bringing it all together.
But as the head geek at Plug-in I’ll concentrate on the technology.
The first hurdle was to recreate the Big and Small house in Papervision3D; tricky, given the cluttered, busy and warm look that Dom came up with (our creative director). We spent about a month just getting the model for the living room to look right.
Many things in the living room are point sprites; a 2D image of an object that looks the same no matter which way you look at it (like the flowers). We built our own PointSprite object that uses Papervision particles to render this.
Big looks 3D and changes as you move the camera around, but he’s also a 2D point sprite. Our animator Ben rendered him on the timeline spinning around, so we work out the angle of the camera and jump to the relevant frame.
We really wanted to make sure that any 2D graphics seamlessly fit in with the 3D world, not only stylistically but also technically. We created custom 3D mesh animation to make the bed spring up and down in reaction to a 2D Small jumping up and down.
There are many clever effects that took ages to program, and although you wouldn’t necessarily notice them, we like to think they add a certain quality to the project :
The mobile in the bedroom with a custom built verlet physics system:
A custom mesh animation system for the radio in the living room, allowing our designers to animate in 2D and apply it to a 3D mesh in real time.
The mirror in the bathroom with realtime reflections.
The toothpaste particles that collide with the walls and furniture.
The lighting that changes in the bedroom when the blind is closed.
It was a massive project, and phase one alone was over 200 days of coding, not to mention the artwork, 3D modelling, sound design and music.
And brilliantly, the BBC were so pleased that they’ve also commissioned phase 2 and we’re well underway with it. Phase 1 brought you into the house, but phase 2 takes you out into the garden, with magical plants, a reflective pond, and a Doom-style mysterious woods to explore!
You can see a little more in this (very rough cut) of a behind the scenes video, exploring the less geeky aspects of the project, including collaboration, concepting, and user testing.
It’s been a brilliant experience, Rebecca at the BBC has been a joy to work with, and it’s been really exciting to stretch what is possible in Flash and Papervision3D. I’ll let you know when phase 2 is released.
And I really would like to give major kudos to everyone on the Plug-in team that worked on this, I’m very proud to work with such talented people :
Juliet Tzabar : Production Director
Dominic Minns : Creative Director
Alan Owen : Senior programmer
Jack Lang : Programmer
Sarah Bird : 3D Modeller
Ben Mantle : Artist / Animator
Cath Lloyd : Animator (lip synching)
Lee Needham-Park : Project Manager
Kate Fowler : Sound design / production assistant
Kirsty, Ellie, Bruce (and Dom!) : Musicians
(Well done guys, you all rock!) And this project will be finished in a few weeks so we’ll be open for more projects! Can you use some Plug-in magic for your project? Need some Papervision3D expertise? Drop me a mail. seb@pluginmedia.net.
PS There’s an easter egg somewhere in the Big and Small website… can you find it?